#Which idk if I am I'll get there when I get there

[ghouljams]

I really appreciate you reblogging that post about how difficult it is to quit an addiction. I myself am currently struggling with a sugar/caffeine addiction, and I drink way too much coke cola (and if I can't get my hands on some, energy drinks). It's nice to be reminded that it's not just me who is constantly thinking about how good it would feel to have juuust a little more, even if I said I would stop. I've tried to quit it multiple times, and each failed attempt disheartens me greatly and makes me feel weak willed, even if I rationally know everyone battling an addiction has those moments.

Sugar addictions often aren't treated as seriously as the "scary" drugs or smoking, but it's just as damaging to your health and difficult to quit, especially when the human brain is hardwired to want sugary, fatty foods. I hope one day to be strong enough to resist those cravings and get my health back on track.

You can become addicted to anything that makes you feel good. People are getting addicted to AI chat bots for god's sake, it doesn't even have to be quality stuff as long as it gives you that rush of dopamine it can reel you in. Now, some things are better designed to addict you, drugs and alcohol, sugar and caffeine, but that doesn't mean you aren't still getting that good feeling. Even if you don't get it every time, even if you only get that hit the first time, humans will chase that first high for the rest of their lives. It's the reason people stay in abusive relationships, things will never be as good as they were at the start but there's this silent promise that they might be.

Anyone can become addicted to anything. And I'm not saying that to scare anyone, but more to make the point that no one is above addiction. Addiction is not a moral failing, or a weakness, it's a human survival tactic. We want the thing that makes us feel good, that keeps the loneliness at bay, that stops us from feeling bad things even if they do that by keeping us from feeling anything at all. Our brains want that dopamine shot, even when reasonably we know whatever is giving us that shot is bad for us.

Getting past an addiction is hard no matter what that addiction is. I try to tell people that they need to find something to redirect that craving towards. For one of my loved ones we're working on finding a painting class and a book club because they've realized that a lot of their relapsing comes from feeling lonely. For you, maybe having a chew fidget would help, or keeping fruit on hand, or (if you're like me) purging your house of all sugary snacks. I can't keep sugar in my house or I'll eat it, so I don't buy it. It sucks, I want it, but I know myself and I know that the best way to keep myself from doing something is to try and remove as much temptation as possible.

It's much harder for me to justify leaving my house to go get candy than it is for me to get up and get a chocolate from the pantry. Or if I really want a sweetie, I have to figure out making it myself. Which means I can try and figure out a healthier option to make. Idk it's a long road, and something like sugar/caffeine/alcohol is so ingrained in our society that it feels impossible to avoid.

I have a friend who used heroin (now clean, I'm so proud of her) and she always said the hardest part of recovery was giving a shit about herself. She said there was always going to be part of her that wanted to use, so she had to make the rest of her louder, had to find reasons to care enough not to go back to her old habits. She got a lot of tattoos during her recovery, reconnected with her mom.

Not to say that addicts don't care about themselves, or that you don't care about yourself, I always thought she meant it more in the way of a parent caring for a child. You know, you don't let kids do something just because they want to because you care about keeping them safe. In the same way you sort of have to parent yourself. Say you've got sugar at home even though you don't, promise you'll make yourself donuts and then quit as soon as you get home because you don't want to boil oil. Learn to make croissants and then never make them again because they're such a fucking hassle. idk

You're not weak because you have trouble telling yourself no, people generally have trouble with that. You're just a person trying to listen to your body. It's just too bad your body isn't always a great judge of what's good for it.

[elchis-art-dump]

I love the baby seikret <333

+rant post

With MH Wilds finally out I wanted to rant about how I feel about it so far. For reference I just beat ray dau, which I feel is a good place to compare the full release to open beta 1 (I didn't play the others). The only other MH games I've play are World and Rise, but mostly World, so I'll be talking from that perspective and will be making a lot of comparisons to World.

Combat:

To preface this, I'm a hammer main and have been mostly playing hammer, so all of my more specific points may only apply there. I want to get my main issue so far out of the way, the game is really easy so far. I've averaged about 10 minutes a hunt on some of the harder monsters. My first ray dau hunt took about 9 minutes, while in the beta it took about 40 minutes + two faints. I know that I'm still early in the game, but the apex of a region being that easy kind of concerns me. The ratholos and diablos story quests in world, or even earlier monsters, felt far harder at the time. It's entirely possible that I've become more skilled over time, considering that it's been a few years since I did low rank World, but some monsters have felt way to easy. Now that that's done with, I think that the combat feels fantastic. Hammer over all combos better, the spinning bludgeon comboing from any attack really helps that. The dodge you get for charging is also fantastic (having evade extender with makes it even better), I honestly find it most helpful as a tool to close distances. Having only the walking speed while charging is kinda annoying, so having this dodge is a huge offensive boon despite it being a more defensive tool. I'm also in love with the wounding mechanic; it feels like what Iceborne was trying to do with tenderizing parts but better. It's no longer tied to having to use a somewhat risky option (although I miss wall bangs). I like how spontaneous it is and that their easily destroyed. These make it feel less like a free damage boost, rather it's far more deliberate since you need to actually target specific parts to break wounds. It's also a fun way to supplement the lower quest rewards since it gives you material.

Environment:

The game is absolutely beautiful and I'm in love with it. The environmental design is fantastic, each area feels super creative (big shout out to the oil basin). The weather changing the area itself is just awesome. I just cannot express how cool, beautiful, and creative the environments are. It seems to be taking a similar approach to World with the incredibly detailed areas, but unlike World everything feels as big as it should be. The open world aspect really makes everything bigger lol. I think the size makes everything feel more reasonable in a way. Unfortunately I don't feel like the areas are quite as memorable as world. Maybe I just haven't gone out of my way to explore them enough (we'll get to that later). I am very excited to get to explore the oil basin tho, absolutely wild area idea.

Two weapons + weapons skills:

I don't think I have much to say here other than that I really like this. No longer having my offenses being tied to my armor saves me from having to decide on if I value my defense or offense more (I still value skills more, but at least armor skills help keep me alive). Weapons skill in tandem with two weapons really incentives choosing weapons that synergize with each other and I just love that.

Performance:

I've seen people complain about performance issues, but so far it runs well on PS5 (idk about PC). I've had one hunt with performance issues, but it was multiplayer and I've only done two multiplayer hunts, soooooo idk what the issue was.

Railroading:

Definitely my biggest gripe with the game. I get that Wilds is far more narrative than other games, but I hate when games tell me I'm not allowed to do something. It just sucks that the game will force me into things immediately before and after a hunt. Considering that at worst it's annoying, this isn't a huge criticism.

Tracking:

Another small point, I just wish that you didn't immediately know where a monster is on the map. I like the scoutflies in world and gathering tracks since it made you explore. I just miss it, man...

Seikrets:

They're adorable and I love them <3333

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[ecoustsaintmein]

ghosts (part i of ????)

part two here

pairing: paddy x eoin; rating: M. slow burn.

this was the first time they'd had this conversation as eric and killian. but it was as if they'd had this conversation, many years ago, many times before.

(or, paddy mayne and eoin mcgonigal, reincarnated as eric love from 'starred up' and killian from 'angel'. they meet again, during the heights of the pandemic -- but they don't remember - until much, much, much later).

the next quack he saw after oliver was dr wilson, who was a no-nonsense scottish lady who struck fear more than deputy governor haynes ever did. she was young but wise for her years, with curly dark hair and spectacles and a soft dundonian accent. turned out she knew oliver baumer from some forensic psychiatry conference but it wasn't like eric to show that he's interested to know more. no, he didn't miss oliver, he said to her in their one-to-one session. he missed his dad, though.

--

seven years later, eric is allowed parole on the grounds of good behaviour. the world around him has changed, and so has he. is he fully rehabilitated? has that bloody posh quack oliver baumer cured him of his violence?

dr wilson told him she knew about haynes and cardew and the comings and goings of the previous corrupt prison regime. oliver blew the whistle and there had been a massive investigation and as a result, most of the inmates' cases were reviewed, including eric's.

'what would you do, then,' eric once asked, 'if you manage to rehabilitate me? then you'd be out of work, won't ya?' but now eric realized that there were worse evils out there in the world that subsumes the hearts of men.

subsumes.

ha.

there was once a time when eric would laugh in the faces of those who would use big words like that. but since he spent more time with tyrone, hassan, ashley, dr wilson, he'd started reading and expanding his vocabulary. he's even started reading poetry.

sublimation was a word he recently learnt. dr wilson was drawing a timeline of his life and a map of his thought processes and how he came to be the way he was. some things in his past can't be changed, she said, but the way he responds to things, can be altered.

neville died of stage four prostate cancer five months ago. dr wilson fought for eric to be allowed to attend his dad's funeral. he even has a social worker now, nate, who is about the same age as he is, but is a tall, strapping bloke from liverpool with a heavy scouse accent. they talk shite about football and how neither of their teams were doing well in the prem.

then oliver visited him in prison, only to tell him that he's moving to new brunswick. where the hell's new brunswick? nova scotia, oliver said. new scotland?

canada, oliver nodded. because he said they needed psychologists there and the nhs pay was shite and for all his pains oliver wasn't a saint.

jews don't have saints, eric said. oliver looked at him for a moment before they both broke into laughter. well, eric shrugged. you're a saint enough for me. you've performed a miracle. i don't punch people when they smile at me wrong now.

five months later his parole application was accepted and he was free.

except. two months later the whole country went into lockdown.

and this was how he met that irish waif, killian, with the dark curls and the dark eyes and the accent no one can understand, especially when he spoke, words swallowed underneath that blue mask that everyone's got to wear.

he never got to witness that wide, easy smile of killian's in real life, until six months later, but then, that's another story.

--

they met as hospital volunteers in south london, during the height of the pandemic. they both live two flats apart on the same floor, in the same council tenancy building, just ten minutes walk from st george's.

but they weren't friends, not straight away. there was nothing memorable about killian apart from that shocking mop of unruly curls on his head and that awful accent, though eric's learnt to keep quiet and let killian repeat himself several times to the staff and patients on the ward; 'it's killian with a k, not a c like cillian murphy,' he'd said, pulling at his ID badge and pointing at his name. 'this is how i look like under this mask, by the way,' he says, and the patients will laugh. it's a terrible photo, worse than eric's own prison mugshot.

they were wary of each other just as eric was often wary of strangers. he's sublimated enough by being kind to patients and their relatives on the wards -- he doesn't need to continue wearing the same mask with other people.

his new social worker, subodh, once chided him for this.

--

everyone seemed to struggle with lockdown, but eric thrived. he's so used to isolation that he never ran out of ways to entertain himself.

the internet is a beautiful thing.

--

he didn't realize who it was, not at first. eric has his allowances and benefits and saves them up -- he's got no need for new trainers or clothes; and even with food he's rationing them up like he did in prison, he's not a glutton for mickey d's or domino's or that chinese takeaway across the street.

but eric's got urges, sometimes -- an urge that started out as a curiosity, ever since he found out that neville and ashley were together.

the internet is a beautiful thing.

--

eric's watched too many of those videos, now, but to say that he has a favourite or a type would be a stretch too far. he's even tried jacking off to them, but he couldn't even get hard -- not when all he could think about when he heard the men on screen moan was to think of ashley and his dad, together.

no.

he slammed his laptop shut (yes, the same laptop that he got for free from that scheme subodh signed him up for). he learnt how to use vpn. just because he spent his formative years in and out of prison doesn't make him a technological heathen.

but the next night he decided to watch some solo videos instead of acted porn, and this was how he ended up clicking on the profile of user @/cuchulainn1995.

he never shows his face, and despite the irish handle he speaks with an english (sussex?) accent. the first thing eric noticed is he's got a low, deep, growling voice, and such big hands, long beautiful fingers. one of the videos started with cu chulainn (that's how eric calls him now) wearing a white button-up shirt and slacks, but slowly he unbuttoned it and palms at his slacks, deft fingers unbuckling his belt. the hand motion on screen was slow, steady, confident. eric was utterly mesmerised by the way those hands floated across, like butterflies, as cu chulainn stripped down oh-ever-so-slowly.

he's wearing a lacy bra underneath the shirt, flat against his chest, and a lacy thong that could barely hold in his entire length. he's well hung, slim, but he hasn't even grown into his full girth yet, as he begins to pump himself through the lacy fabric.

against eric's will, he got hard too, as he watches this stranger tweaking his nipple under the bra and whispering filthy things about wanting to fuck a bad boy and wishing to destroy something beautiful. this man who talked of not wanting to be fucked, but to fuck. all while wearing that lacy bra and lacy thong that eric wanted to rip up with his teeth.

eric's never come so hard in his life.

maybe that's why all of those losers raided the tescos for toilet paper. for wanking to videos this good.

--

killian's the one who approached him first, at the canteen, while eric was flicking through the copy of 'oxford book of war poetry' he found amidst the old magazine stacks of hello! and ok! in the nursing office.

the blt sandwich was a bit dry, and the coffee stale. this was eric's excuse for coughing up his food and spluttering them all over the table, when killian sat in the chair in front of him and asked, 'what passing-bells for these who die as cattle?'

'what the fuck?' was eric's only illustrious response.

'-only the monstrous anger of the guns,' killian replied, voice muffled under the mask. 'wilfred owen.'

'i prefer robert graves.'

'of course.'

this was the first time they'd had this conversation as eric and killian. but it was as if they'd had this conversation, many years ago, many times before.

killian tore up his roll and dipped it in his golden vegetable soup. he pulled down his mask and ate voraciously. like he hadn't eaten in months.

it was the first time eric saw killian's face, in full.

killian smiled, as he licked soup off his fingertips, inadvertently making kissy noises as his lips left each finger. 'i prefer yeats,' he said, oblivious.

eric tried not to stare, he really did. there was something about the movement that was so familiar to him.

but he couldn't place it.

he also thought, that birthmark on killian's left hand looked familiar too --

but surely not?

--

eric's throwing money he doesn't have to cu chulainn, subscribing to his live videos and in his head thinks that he's having a parasocial relationship with this faceless man with a beautiful body, like one of those marble statues the brits pilfered from ancient greece.

his colouring was dark, gingery, and eric wondered if they were as coarse as his own hair. eric wondered if he was as dark, or darker in real life.

in the busy chatbox filled with filthy comments from horny subscribers, eric once gathered the strength to type, 'if ur english why the name cu chulainn?'

eric watched the slight pause in the body language, face unseen from the neck above. and then, for a split second, the sussex accent switched to a soft irish lilt, 'who says i'm english?', and eric thought, 'i've heard this voice before.'

but eric forgot everything when cu chulainn started his show, and when he called his audience a 'good boy'.

eric thought it was a private message just for him.

--

they bumped into each other, at the aldi queue for the self-service checkouts, a metre apart. eric eyed the shite killian's got in his basket -- bananas, spinach, macaroni, yorkshire tea and a bar of dairy milk. eric eyed his own -- pot noodles, crisps, rich tea biscuits. then killian waited for him outside, humming mindlessly, a foldable umbrella in hand. it's started drizzling -- then raining, hard, unheard of for tooting, before walking up to their flat together.

eric pulled up his hoodie and made a point not to stand under killian's umbrella, although he's getting drenched like a wet soppy dog and killian called him out for it. 'stop being an eejit and get under the brolly,' he said, without raising his voice, and eric acquiesced.

--

it's only natural that when the government announced that 'members of a household could be part of another household' as a 'support bubble', that eric became killian's.

and killian eric's.

subodh told him that it's good that he's found a friend, though under no circumstances did eric admit that killian was 'a friend'. they had nothing in common, he said. apart from the poetry and the football (why does he support liverpool? he's irish, for fuck's sake).

eric's been in killian's flat, which was a mirror image of his own, except that they were filled with the most bizarre trinkets when eric's was more spartan. killian never let him inside his bedroom, though, and eric's never pressed further.

killian grew herbs in his flat. a pot of chilli, too. there was a time when he grew up on a farm, he'd said, and everything he ate was from the land around him, because he learnt how to grow them. he learnt how to forage in the wild, he learnt how to slaughter animals. he's good with a machete and an axe too, he'd said, before he realized he'd said too much and fell silent.

this was when eric knew that there was more beyond the softness of killian's visage - there were dark secrets there, hidden behind those eyes, underneath those long, dark lashes.

eric spent more time at killian's flat than at his, since the support bubble rule was introduced. killian can cook. and for some reason, despite saying that he's living on benefits too, he's got subscriptions to all the streaming services and has the latest games on his ps.

eric wondered where he got the money from.

--

it didn't take long for him to find out.

--

in eric's defense, it was killian who told him to fetch his phone charger from the bedroom.

killian's bedroom, which for the past three months had been off limits to eric, because the door was always shut and killian had never invited him in, not even for a casual 'this is my room' tour. boundaries. if there's one thing he's learnt from oliver and dr wilson and the likes of 'em, it's to learn how to respect people's boundaries.

it's the grey wall and the bedspread that caught eric's eyes first. his first thought was, surely not. his second thought was, surely not.

it wasn't as if there were toys splayed across the room for eric to see. the room was pristine, unlike the mess that was the living room, but eric had just seen one of cu chulainn's videos yesterday and this was where he had sat.

and the laundry basket was in the corner of the room. there was no weird smells, no bras, no lacy thongs - but he noticed the slacks and the white button down shirt. killian had never worn slacks and a white shirt to work, he was always in his casual stripey t-shirt before he changes into scrubs, and then, oh then, there's his belt.

the belt.

the images of killian's fingers, on the ps controller, or when he picks up a brown roll and dips it into soup during lunch hour, come rushing back. the birthmark on the back of killian's left hand, as he unbuckles his belt and unzips his slacks and touches himself. the way his knuckles disappear as he works his fingers up into himself.

and he hears killian's irish lilt, now, in cu chulainn's forced english voice. eric realizes now that he's one of the men who's paid for the way that killian's living.

eric doesn't feel anger. he doesn't feel panic. he's floating, in this room, because he's always seen it through the pixels of his laptop screen, but never like this. he doesn't even know whether he wants to hate killian or hate himself, because at the end of the day eric was the one who had been searching for it, again and again, like a man obsessed; addicted. killian was just there, doing his thing.

killian had been here, last night, doing his thing. and eric had fantasised of doing more, imagined that he could be touched the same way, on this very same bed. eric leans down and touches the ikea bedspread, clean - it's as if killian's washed all the stains off of it from last night, and the room itself smells woody, citrus-y. it smells like killian.

it smells nice.

killian barges in and asks what's taking so long, wooden spoon in hand, flour dust on his nose and cheeks. he's attempting to make sausage rolls from scratch, he says.

eric's eyes glaze over, like he's neither here nor there. he only ever had sausage rolls from greggs and his own mum was a terrible cook, so homemade pastries were out of the question.

the phone charger is still plugged in at killian's bedside, where he's dumped his camera and lighting equipment in a storage box. eric pretends not to see it, and hands the phone charger to killian, careful not to let their fingers touch.

'you ok?' killian asks, concerned.

'yeah,' eric lies. 'it's just that, i've never been in your room before. it's nice,' he says --

-- which isn't a lie.

killian softens, as he tilts his head to one side and squints at eric. 'aye, because you never asked, ya daftie.'

it's almost fond.

--

some nights eric will wake up, alone in his bed, grouching. he remembers the night he was about to be executed by the prison guards, to make it look like he's hung himself, before neville saved him.

he dreamt of walking out of prison, with no one to greet him but a dreary, empty council flat near tooting broadway.

some nights, eric will wake up, alone in his bed, grouching. but this time, he doesn't remember that night when he was about to be executed the prison guards, to make it look like he's hung himself, before he ended up walloping all of them, before walking out into the hot desert sun.

he dreamt of walking out of prison, but this time killian is there, saying, 'the dead arose and appeared to many,' -- except this isn't killian and he isn't eric, and eric struggles to remember the name of this man who looks so much like killian and yet just isn't.

his mannerisms are still the same, though, from the way he stretches and yawns and grins like a cheshire cat, and he is as generous with his touches as killian was. this man laughs at his unfunny jokes about sweating in hospitals and nightclubs and getting someone's goat, and serves him soup from the gazelle that eric-who-is-not-eric has allegedly shot.

killian-who-is-not-killian smiles, as he licks the soup off his fingertips, inadvertently making kissy noises as his lips leave each finger, and eric thinks, oh.

oh.

--

paddy, he says.

eric wakes.

--

at lunchtime, killian shows him an empty notebook that one of the elderly patients had gifted him, on late shift last night. it's worn and battered, faded ink on the yellowed pages.

'she stopped me in the corridor and told me i had to have it,' he says, 'and then she was gone.'

'which ward was this?' paddy asks. 'maybe she's just a bit off, ya know, with delirium.'

'aye, it was off rodney smith ward,' killian nods, before leafing through the pages again, carefully.

a note falls out.

'from paddy, to eoin,' killian reads out loud, squinting to make out the words.

'eoin,' eric says, weighing the word on his tongue, before deciding that he enjoys the way his lips have moved, the way his throat has closed, to form the lovely sound ringing between them.

'paddy,' killian agrees.

--

'so, the sand of the desert couldn't keep your soul buried, eh eoin?'

--

killian thinks, when he was growing up, his real da used to say: 'coincidence was god's way of being anonymous.'

but this isn't what he chooses to believe.

he believes it's more like poker: life won't always give him easy hands, but it'll be down to killian how he chooses to play it.

so he chooses to believe that it was out of his own free will that he chose to sit at that table and quoted wilfred owen at eric love.

he chooses to believe that it was out of his own free will that he chose to wait outside aldi in the pouring rain, umbrella in hand, to walk eric love home.

he chooses to believe that it was out of their own free will that they became friends, despite the dreams that he had been having lately: of quiet conversations in flimsy tents, of secret trysts under the desert moon.

'when it was the desert, and you, and me,' killian thinks --

only those words weren't his, nor were they eoin's, but from a fragment of eoin's soul that paddy's carried with him.

from egypt to sicily to normandy.

from dublin to ballymena to newtownards.

and now, to fucking tooting, of all places.

how poetic.

--

he couldn't find the woman again. she was, he thinks, not of white-european descent, and her accent was foreign, but killian had thought nothing of it when she handed him the notebook--

-- and disappeared.

the nurses had never seen her before, when killian attempted to describe her. and with everyone wearing masks, it became even harder to identify who killian was talking about, and the nurses looked at killian as if he was still hungover from whatever he'd smoked the night before.

killian will call her 'eve', he thinks,

and the notebook his forbidden fruit,

these phantom memories are akin to a serpent.

'take a bite,' they call out to killian;

-- and so he does.

this way, at least, he'll live.

--

tbc.

part two here

[ineed-to-sleep]

I'm still working on this btw. Chipping away at it one little panel at a time 🥲

[deoidesign]

.

[bookshelfdreams]

Hey, probably a question you have heard a thousant times. But what is the best way to get into any of the fiber arts? Books? Youtube? Actual people teaching you? (and if so how in the hell do you find them)

I started crochet and knitting but I pretty much can't get out of the basics, I can't managed to finish something that I have started cuz I always get frustrated that it's starting to look bad...

Hi! That's actually a really good question. Unfortunately (or maybe fortunately, depending on how u look at it) the only way to get any better at fibre crafts, is to keep doing them. Practice really does make perfect. There is no book or video tutorial or in-person teacher that holds the one ultimate secret that will make you Good At Crafts. All of these can be valuable resources if you struggle to understand how to do a specific thing; you can be taught stitches, and how to read charts, and such things. But the only way to really learn is to practice.

This is because there are more skills involved in crafting than just knowing how to do certain stitches. Confidence, patience, frustration tolerance: you can't learn that from tutorials. These are essential skills that you need to build. And the best way to build them, I'm afraid, is to actually finish the damn thing. Even if it has mistakes. Even if it "looks bad". You need to learn how to tolerate imperfections, if you ever want to get anything done.

Now that doesn't mean you should bully yourself. If you get easily bored and frustrated, leave the scarves and sweaters for now, and start small. Potholders, dishcloths, scrubbies or coasters are all projects that finish up quickly and yield usable objects, even when they are not perfect. If you never allow yourself the dopamine rush of Fuck Yeah I Made That, how do you expect yourself to build up the resilience to stick through the parts where it is slow and difficult and makes your fingers hurt?

Here are Ravelry searches for free dishcloth and potholder patterns.

Of course that doesn't mean you should only do those projects. You can do whatever you want. The most important thing is to teach yourself that you can have success, and the only way to do this is to successfully make things.

Also, it should always be fun. If it's not at least a little bit fun, maybe the technique isn't for you. This is also an important skill to develop: To learn when to stick through a bout of frustration, and when to abandon something.

There is a very steep learning curve. But you can and you will get there. I believe in you, and I also believe that what "looks bad" to you is perfectly fine.

[eggsistential-basket]

thinking about the person i could have been if i tried a little harder to find my own way

[rimouskis]

can I be so open and vulnerable with you guys. the card I was given from people at my old office was sincerely so nice and really validating but also I feel like the main impression I left other people with was "she's really nice" WHICH IS GOOD, I DO WANT TO BE KNOWN AS NICE but also part of me is like... should I maybe strive for "innovative" or "creative" or "a go-getter" because being The Nice One just feels a little mealy-mouthed of me y'know?

[todayisafridaynight]

i cant explain it but daigo being subtitled to just be like 'you're making me look like i have no balls' feels so illegal and wrong. hilarious but something's off

[weaponizedmoth]

Been meaning to do another one of these for a second, but didn't have any cool outfit pics--until I remembered these blurry pics I had from 2021 that I could never do much with. Libbyframe is the inspo for these as usual,✨️

[oh-meow-swirls]

it's kind of weird to me that they didn't bother releasing sushi and tempura internationally at all but at the same time i'm kinda glad they didn't cuz like. yo-kai watch was financially failing in the west by the time 3 released. i feel like if they had released sushi and tempura the franchise would've completely tanked before we got sukiyaki which would've sucked. honestly if anything i feel like it's more surprising that we got all three versions of 2 instead of them just releasing psychic specters but tbf i think yo-kai watch was doing well in the west when 2 released. 2 is just inexplicably what killed the franchise despite being a masterpiece-

[skrunksthatwunk]

so i didn't finish the paper on time but on the plus side i Almost know how to play mahjong now

[pulquedeguayaba]

Been crying regularly since June last year but these last couple of weeks damn, specially this one that just ended.

I dont think I've ever cried so much in my life

[icannotgetoverbirds]

made beanut butter cookie dough. hell yeah

[ame-to-ame]

My friends are so nice to me??? I love them???